Date: 2010-10-25 09:34 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
Oh, I love this shot! What a brilliant idea and very well executed.

Date: 2010-10-26 07:59 am (UTC)
From: [identity profile] shooting2kill.livejournal.com
I love lots of black, yes, but it's also the contrast with the 'light at the end of the tunnel/passage' - literally and metaphorically - running towards light/hope/escape/freedom and away from the haunting/doyle's life ebbing away/the end of Bodie's life. So many meanings and so clever. I'll shut up now.
Edited Date: 2010-10-26 07:59 am (UTC)

Date: 2010-10-26 04:26 am (UTC)
From: [identity profile] kiwisue.livejournal.com
Very atmospheric!

Date: 2010-10-26 06:56 am (UTC)
From: [identity profile] byslantedlight.livejournal.com
Oh very nice - I've always loved that image of Bodie racing to be able to save Doyle, and this is especially atmospheric! Thank you!

ETA - oh, I wonder if it'd make a gorgeous icon too... *g*
Edited Date: 2010-10-26 06:56 am (UTC)

Date: 2010-10-26 08:02 pm (UTC)
From: [identity profile] byslantedlight.livejournal.com
Ooh yes, I do like it - thank you! (I've not had a new Pros icon for ages... *g*)

Date: 2010-10-26 07:35 am (UTC)
From: [identity profile] roven75.livejournal.com
Very nice, I like the stark shadow/light contrast in this. And of course all the implications behind the shot that we know. But apart from that, it could easily be from another film, too - The Shining or something, and would work well in another context. You look at it and it somehow says "thriller" *g*

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